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Intangible Bodies – Paul Moore

Thursday 5 March 2026 – Tuesday 28 April 2026

Intangible Bodies presents a projection mapped audio-visual installation, that treats the gallery as an interface, where perception, attention, and internal sensation are made spatial and shareable. The work is encountered through movement and proximity, part screen, part stage, part signal field.

The work draws on the language of navigation systems, biometric readouts, and mediated memory, translating lived experience of neurodiversity and invisible disability, into tempo, glare, delay, and drift. Rather than illustrating a narrative, the installation asks the audience to move, reorient, and tune in, noticing how the body makes sense of unstable information in real time.

About the artist:

Paul Moore is a Belfast-based interdisciplinary artist working across Audio Visual installation, performance, and digital media. His practice explores embodiment and endurance, often using the aesthetics of surveillance, interface design, and data visualisation to examine how bodies are mediated through technology. Underlying his approach to his practice is a belief that access and attentiveness are creative tools. His practice asks how technology might become more himan, messy, affective, capable of expressing difference and empthy rather than control. Moore has exhibited widely across Ireland, the UK, Europe, and the US, with exhibitions including Torrance Art Museum, Golden Thread Gallery, IMMA, CCA Derry, Platform Arts, and The MAC Belfast. He has been supported through multiple arts awards and development programmes, and maintains a studio practice at PS ² , Belfast.
Paul Moore was the recipient of the University of Atypical Digital Innovation Award 2024 funded by the Santander Foundation and would also like to express his thanks to the Guesthouse, particularly Mick O’Shea and Irene Murphy.

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Intangible Bodies – Paul Moore

Intangible Bodies presents a projection mapped audio-visual installation, that treats the gallery as an interface, where perception, attention, and internal sensation are made spatial and shareable. The work is encountered through movement and proximity, part screen, part stage, part signal field.

Read More...

twixt – group exhibition

‘twixt takes its name from the notion of being in between, at an interval and interweaving. Recipients of our d/Deaf and Disabled Support Fund grant programme have used the funding to deliver new pathways towards their own goals, some artists pursuing experimental directions or new ambitions – each at their own stage of development and discovery between concept and realisation.
‘twixt showcases the work of some of our twenty d/Deaf and Disabled Artists Support Fund 2025 (DDASF) awardees, including Darlene Corry, Elly Makem, Emma Brennan, Eve Belle, Finn Nichol, Hana Abri Smith, Indigo Azidahaka, Jamie Baker, Jayne Cherry, Kate Guelke, Brian McAvera, Abby Oliveira and Liam Devlin. The exhibition includes ceramics, painting, textiles, music, photography, digital art, spoken word and sculpture.

Read More...

Intangible Bodies – Paul Moore

Intangible Bodies presents a projection mapped audio-visual installation, that treats the gallery as an interface, where perception, attention, and internal sensation are made spatial and shareable. The work is encountered through movement and proximity, part screen, part stage, part signal field.

Read More...

twixt – group exhibition

‘twixt takes its name from the notion of being in between, at an interval and interweaving. Recipients of our d/Deaf and Disabled Support Fund grant programme have used the funding to deliver new pathways towards their own goals, some artists pursuing experimental directions or new ambitions – each at their own stage of development and discovery between concept and realisation.
‘twixt showcases the work of some of our twenty d/Deaf and Disabled Artists Support Fund 2025 (DDASF) awardees, including Darlene Corry, Elly Makem, Emma Brennan, Eve Belle, Finn Nichol, Hana Abri Smith, Indigo Azidahaka, Jamie Baker, Jayne Cherry, Kate Guelke, Brian McAvera, Abby Oliveira and Liam Devlin. The exhibition includes ceramics, painting, textiles, music, photography, digital art, spoken word and sculpture.

Read More...

Charys Wilson – Half Light

The work is inspired in part by the practice of forest bathing, or shinrin-yoku: a Japanese tradition of spending quiet, mindful time among trees. Research shows that this kind of intentional time in nature can reduce stress, improve mood, and even boost the immune system.
For many of us this kind of immersive experience can feel out of reach, especially during the colder months or in urban environments. This installation is a way to bring some of those benefits indoors: a moment of calm, light, and quiet connection.

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