Passages is an exhibition of drawings, sculpture and installation exploring the journey of migration. Fragile boats and body-like forms hold stories of movement, memory, and survival. The work reflects the psychological and physical experience of migration—pain, hope, and identity—as we cross borders and navigate change.

Central to the work are fragile sculptural boats and vessels that evoke skeletal structures, embodying the tension between vulnerability and endurance. These forms carry not only the physical weight of travel, but also the invisible burdens of memory, trauma, and cultural identity. The boats’ delicate frameworks echo the human skeleton—structures that support yet fracture, heal, and hold history. This duality invites viewers to contemplate how displacement shapes the body and psyche alike.

Anushiya is a multidisciplinary artist from Sri Lanka, now based in Belfast, who works across printmaking, painting, sculpture, textiles, installation, mixed media, and performance.

We Should Not March to the Beat of the Same Drum is live performance that draws on Homi Bhabha’s notion of the ‘third space’ where cultural meaning is negotiated rather than fixed, to explore the tensions between heritage and innovation, collective memory and individual expression.

Fort Dunree, a site where military history intersects with contemporary art, serves as the starting point for Rebecca Strain and Martha McCulloch’s 2023-24 body of work. This live performance emerges from that exploration, seeking a space between past and present, individual and society.

Rebecca Strain is a visual artist, single mum, and eco-feminist, and lives with clinical depression, dyslexia, and anosmia.

Dreaming Disability Futures is a writing and dreaming workshop led by writer Alex Cregan. It is inspired by the book Care Work: Dreaming Disability Justice by writer and activist Leah Lakshmi Piepzna-Samarasinha. The workshop explores the politics of disability justice, and the lives and leadership of sick and disabled queer, trans, Black, and brown people.

This two-part workshop begins with a reading, and discussion around access and collective liberation across different identities. The second part is a free writing session. While the session involves writing, participants are invited to express their ideas in other creative ways that feel comfortable, from drawing to soundmaking. 

Materials will be provided. Please bring lunch with you.

Bounce back in time and enjoy a rare opportunity to witness the unique talent of Stage Beyond Theatre Company on the big screen. The award-winning theatre company empowering adults with learning disabilities, produced their debut film in 2021, using Marcel Proust’s novel Remembrance of Things Past as the guide. They drew in particular on Proust’s theory of “involuntary memory”: where a sense, a smell, an object, a colour, places a memory directly into our consciousness. We don’t recall, it just arrives.

Ruairi Conaghan (co-producer, writer and director) wrote a prologue and epilogue to frame the memories. He uses extracts from Proust’s novel, as well as Brian Friel’s beautiful poetry of memory. Get ready for a laugh, a dance, a song and a cry, as we revisit this special theatre company whose focus is on inclusion, access, and excellence.

Following on from Bounce 2024, Foyle Pride is back with ‘Still Not Your Pity Party!’ This encore continues its unapologetic, eclectic collaboration with queer, d/Deaf, disabled or neurodivergent spoken word artists from the North West.

Fighting to reframe the labels of ‘inspiring’ or ‘brave’. Exhausted by sad looks relating to the disability. Tired of dealing with an ableist society’s pity. Enraged, they came together to celebrate their unapologetic eclectic brilliance under the watchful guidance of their MQ (Mummy Queer) Mel Bradley. The lineup includes Isaac Quinn, Devin Kane, Alex Cregan, Blathín Gillen – among others!

(W)right Now is a writing workshop for writers of fiction, poetry, drama. It is an opportunity to reflect on writing interests, to practise craft, to sharpen critical modes of address, and explore where identities intersect.

Dave Duggan lives in Derry, where he writes in English and in Irish. His latest book is Journeywork: A Creative Life (Nerve Centre, 2024), a collection of essays described as ‘luminous’ in The Irish Times. His work for film and television includes the Oscar-nominated Dance Lexie Dance (Raw Nerve Productions, 1996).