YES WE ARE IN!

An international inclusive livestream adventure
IO1-Meeting Brussels

Description:
Five days of intensive training with five theatre groups. All participants, five ambassadors per theatre group are persons with disabilities, full of enthusiasm to perform, to show their theatre and dance skills. This documentary brings an overview of the workshops, interviews with art directors and actors, and reflections on the long-term aims of the YES WE ARE IN project. The documentary shows the diversity of the participants. How some of them, without theatre experience learned a lot from those who are active already for several years. Four of the five groups were never before involved in European projects. For them, and for the city where they come from, this project has a certain impact; proud to be part of a European Erasmus+ project. The five days of cooperation showed also the diversity in the group of art directors and the challenge to become co-creators of the finale live-streamed theatre performances at the end of the project.

An international inclusive livestream adventure
IO2-Meeting Zagreb

In this documentary about the second intensive training meeting of the five theatres in the project, it’s clear that the group immediately felt the results of the regular online meetings since the first physical meeting a year before. the ambassadors had become friends and their interaction in the workshops was much more intense. This allowed the training to go a lot deeper than during the first meeting. The social events were also more open, enjoying the moment together, music, karaoke, dancing. The art directors could finally also meet again physically to exchange their ideas towards the final performances. And the experts from Mediaraven could do in the different rooms from the Tresjnevka Cultural center experiments to go deeper into the live stream technics.

A friend called Loneliness YNY
IO 3 20082021 1 1

A FRIEND CALLED LONELINESS -VISUAL ALBUM is an 8-part video series. It is a
poetic, visual and auditory collection where different aspects of being alone and the
sense of loneliness emerge. How can you be alone? How lonely can you be? Is life
collapsing? How important is friendship? The piece has been created entirely by Theatre
Wärjäämö, a group of artists with disabilities from Tampere, Finland, lead by director
Jarmo Skön. The multidiscplinary art group has been working weekly for 15 years at the
Tampere City Activity Center Wärjäämö in co-operation with Ahjola Adult Education
Center. A FRIEND CALLED LONELINESS- VISUAL ALBUM is also part of the `Yes we
are in’ Erasmus+ -project, in which the group has been involved since 2018 as a partner
with ACCAC Global (Finland). The other partners in the project are from Belgium
(Community Center De Zeyp), Croatia (Culture Center Tresvnejska), England (University
of Wolverhampton) and Northern Ireland (University of Atypical and KIC).

Documentary The power of connection
IO4

YES WE ARE IN! The power of connection” is a concluding documentary about an
Erasmus+ project 2018-2021 in which five theatre groups, with people with
disabilities, made a digital and artistic journey. The ultimate goal would be five live
streamed performances with the online participation of the four partners, from the
other European cities. Due to the pandemic, this goal has not been achieved. The
documentary tells the story of the project through interviews and images from our
international encounters. When Thomas says that he is no longer afraid to look for a
future as an artist instead of his current work, he is expressing what many
participants experience: a growth in self-confidence because they could participate in
a European Erasmus+ project!

CLICK BELOW TO DOWNLOAD LIVE STREAMING GUIDELINES

IO05 YES WE ARE IN some guidelines on live stream

Accessing Architecture Exhibition

ISL Promotional video

BSL Promotional video

The Exhibition runs until Friday 27 January 2022 at the University of Atypical Gallery at 109-113 Royal Avenue, Belfast.

Below is a virtual tour of the exhibition:

ISL Tour

BSL Tour

 

Accessing Architecture

CRAFT:IN EU Project 2021

CRAFT:IN Crafting the Inclusion: Crafts and Practices in non-formal education for increasing social inclusion

This project has been funded with support from the European Commission.
This publication [communication] reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
LANGUAGE CHOICE: ?? ?? ?? ?? ??

PROJECT’S ID CARD
Programme Erasmus+ Key Action 2 (KA2) Strategic Partnership in adult education
National Agency Agency for Mobility and EU Programmes – HR01 // Zagreb, Croatia // https://www.mobilnost.hr/en/
Contract number 2020-1-HR01-KA227-ADU-094674
Official Project Webpage (European Commission) https://ec.europa.eu/programmes/erasmus-plus/projects/eplus-project-details/#project/2020-1-HR01-KA227-ADU-094674
Title Crafting the Inclusion: Crafts and Practices in non-formal education for increasing social inclusion
Acronym CRAFT:IN
Implementation 1 March 2021 – 31 August 2022 (18 months)
Total Budget 84,654.00 EUR
Coordinator: Association for Prevention of stigmatization and Education through theater – UPSET // Zagreb, Croatia // http://upset.hr
Partners
Blauschimmel Atelier // Oldenburg, Germany // https://www.blauschimmel-atelier.de/
Zavod Tri // Škofja Loka, Slovenia // http://www.zavod-tri.org/
Arts & Disability Forum (University of Atypical) // Belfast, Northern Ireland, United Kingdom // https://universityofatypical.org/
Guerreiro & Silveira, Lda // Lisbon, Portugal // https://www.facebook.com/guerreiroesilveira/

SHORT DESCRIPTION
Crafting the Inclusion: Crafts and Practices in non-formal education for increasing social inclusion (CRAFT:IN) is a partnership focused on exchange of various crafts that will develop human resources within partner organisations, develop key competences of their staff, start new non-formal educational activities and entrepreneurship initiatives, and promote social inclusion of marginalised groups.

CRAFT:IN consists of five partner organisations from Croatia, Germany, UK, Portugal, and Slovenia with transferable knowledge of a craft – one that their educators use in educational work with adults from various marginalised groups (refugees, Roma, people with disability, migrants…).

Working with marginalised groups, partner organisations noticed that crafts can play a role in raising social inclusion, cultural awareness and mutual understanding between the dominant local culture and marginalised. Simply said, doing crafts, working with hands, sharing tools, methods, and owning their final products helps motivation, communication and mutual understanding.

For the most part, crafts can be thought nonverbally (through practice) and, as such, are ideal for outreach campaigns and inter-cultural work even with communities who don’t speak the language. Crafts bring together people from various backgrounds (including marginalised groups) and promote interest in both “old” (local) and “new” (e.g. refugees) tradition, heritage, culture, skills, and design. As such, crafts help preserve the local culture, but also mirror the cultural diversity of peoples in Europe and can be platforms for intercultural exchange.

However, positive effects are limited and quite vulnerable. To overcome this, activities should be continuous and explicitly established. They simply don’t occur spontaneously, as researchers Erasmus Universiteit in Rotterdam found in 2018. In other words, there has to be an agent that will facilitate inspiring craft programmes for marginalised groups, after which crafts show positive effects and harbour social inclusion and build “new”, mutual European cultural identity.

For this reason, partner’s gathered in CRAFT:IN as they will gain knowledge of new crafts they can then introduce to their marginalised groups and develop new craft educational programmes of higher quality and international appeal. This will enable partners to develop their human resources and network further, their staff members to raise their EU Key Competences (multilingualism, cultural expression, entrepreneurship), and (with time) help heal social divide between the locals and marginalised groups.

Each partner will host one independent Learning Teaching and Training (LTT) workshop where each host will, through methods of practical learning and non-formal education, share a craft they are masters of, and incite cultural exchange through practical experience and face-to-face participants’ interaction. Each workshop will end with an exhibition of products made at the workshop and/or public event where participants will promote inclusion, meet the locals, and discuss the role of crafts in developing inclusion at local level. In order to utilise newly gained knowledge and skills the most, partners will send two representatives to each workshop, to learn new skills and crafts. Upon their return, they will organise follow-up presentations (20 in total; 4 per partner) of the new skills and, where possible, start new inclusive programmes in the local community based on their new craft. To make their experiences tangible, partners will publish a Manual on various crafts we shared in effort to promote inclusion.

In the background, but equally important, partners will host three Transnational Project Meetings (TPM) where managers will monitor project’s implementation, evaluate its past activities, and plan the future ones; including online campaigns for promotion and dissemination, and coordinating production of informal outputs.

In total, 40 educational mobilises, 10-15 participants from marginalised groups, 3 project meetings, 1 online publication on inclusive crafts, 5 workshops and exhibitions/public discussions will be held. These activities will significantly increase partner organisations’ human resources, develop individual key competences, and promote crafts as means of inclusion and non-formal learning.

In the long term, partner organisations see this partnership as a “stepping stone” – the first of many that will follow and lead to a sustainable and open European platform for inclusive crafts and social entrepreneurship. Partners are committed to building this platform that will help preserve, develop and promote crafts for social inclusion.

LEARNING, TEACHING AND TRAINING ACTIVITIES (LTT’s)
The core activities of our partnership are the co-called “LTT’s”, educational workshops where partners get to share their craft. There are other activities, but these ones are special (and at the core of our goals). One partner hosts the event and shares their craft/method, while others participate and learn. Of course, this process is one of non-formal education and both “sides” get to learn and share – hosts and sending partners. This is ensured by feedback sessions held at the end of each of the workshops, where participants share their insight into what was “good, bad, and the ugly” (what they learned, what could be better, and what should be avoided in the future).

Here are the descriptions of LTT’s, as planned at the beginning of our partnership:

LTT C1: Enterprise, Play, Include, Create (EPIC) aromatherapy, clay work, hygiene and disinfectants production crafts for inclusive work – Zagreb, Croatia
LTT C2: Felt Future – the fibres of connection and inclusion – Belfast, Northern Ireland (United Kingdom)
LTT C3 Form, include, cooperate in weaving and tiles – Lisbon, Portugal
LTT C4 Let’s flourish! Participatory crafts(wo)manship for inclusive community – Škofja Loka, Slovenia
LTT C5 Arts and inclusion – mask building and mask playing – Oldenburg, Germany
MAP OF OUR PARTNERSHIPS AND PARTNER ORGANISATIONS (click on image to open the interactive map)

PROJECT’S CHRONOLOGY AND ARHIVE
12 June 2021 Open Days of Associations 2021: Presentation of our inclusive Erasmus + projects CRAFT: IN and Urban Survival Kits
19-23 July 2021 LTT C1 “EPIC” workshop held in Zagreb, Croatia
24 July 2021 Kick-off & COVID-19 transnational meeting of project managers
1 – 3 October 2021 LTT C2 “Felt Future” workshop held in Belfast, Northern Ireland (UK)
16 October 2021 Presentation of the project on Erasmus+ Days 2021
21 – 25 March 2022 LTTC3 workshop in Lisbon, Portugal
26 March 2022 TPM2 Interim project managers meeting in Lisbon, Portugal
08 – 15 May 2022 LTTC4 workshop in Oldenburg, Germany
13 – 17 June 2022 LTTC5 workshop in Škofja Loka, Slovenia
18 June 2022 TPM3 Final project managers meeting in Škofja Loka, Slovenia
PHOTOS
Here you can find photos from activities held during the partnership.

EDUCATIONAL WORKSHOPS

LTT C1: Enterprise, Play, Include, Create (EPIC) aromatherapy, clay work, hygiene and disinfectants production crafts for inclusive work – Zagreb, Croatia
LTT C2 Felt Future – the fibres of connection and inclusion – Belfast, Northern Ireland (United Kingdom)
LTT C3 Form, include, cooperate in weaving and tiles – Lisbon, Portugal
LTT C4: Let’s flourish! Participatory crafts(wo)manship for inclusive community – Škofja Loka, Slovenia
LTT C5 Arts and inclusion – mask building and mask playing – Oldenburg, Germany
MEETINGS OF PARTNER ORGANIZATIONS

TPM1 Zagreb, Croatia: Kick-off & COVID-19
TPM2 Lisbon, Portugal: Interim Report
TPM3 Škofja Loka, Slovenia: Final Report
E-BROCHURE
To enable those who did not participate at our workshops to learn the basics of producing hand craft objects, partners decided to publish e-Brochures (brochures published online in PDF format). Each brochure depicts step-by-step the process of production of hand craft products that participants learned how to do during our workshops.

Click on links below to open (or download) e-Brochures:

Enterprise, Play, Include, Create (EPIC) aromatherapy, clay work, hygiene and disinfectants production crafts for inclusive work
Felt Future – the fibres of connection and inclusion
Form, include, cooperate in weaving and tiles
Let’s flourish! Participatory crafts(wo)manship for inclusive community
Arts and inclusion – mask building and mask playing
E-VIDEO
Alongside e-Brochures, partners made short e-Videos that follow the proces of production of hand craft products.

Click on links below to open (or download) e-videos:

LTT C1 (EPIC) workshop (Zagreb, Croatia)
Felt Future – the fibres of connection and inclusion (Belfast, Northern Ireland, United Kingdom)
Form, include, cooperate in weaving and tiles (Lisbon, Portugal)
Let’s flourish! Participatory crafts(wo)manship for inclusive community (Škofja Loka, Slovenia)
Arts and inclusion – mask building and mask playing (Oldenburg, Germany)
Watch all CRAFT:IN educational videos on our YouTube Channel:

Crafting the Inclusion: Crafts and Practices in non-formal education for increasing social inclusion (CRAFT:IN) is a partnership focused on exchange of various crafts that will develop human resources within partner organisations, develop key competences of their staff, start new non-formal educational activities and entrepreneurship initiatives, and promote social inclusion of marginalised groups.
CRAFT:IN consists of five partner organisations from Croatia, Germany, UK, Portugal, and Slovenia with transferable knowledge of a craft – one that their educators use in educational work with adults from various marginalised groups.

Working with marginalised groups, partner organisations noticed that crafts can play a role in raising social inclusion, cultural awareness and mutual understanding between the dominant local culture and marginalised. Simply said, doing crafts, working with hands, sharing tools, methods, and owning their final products helps motivation, communication and mutual understanding.

For the most part, crafts can be thought nonverbally (through practice) and, as such, are ideal for outreach campaigns and inter-cultural work even with communities who don’t speak the language. Crafts bring together people from various backgrounds (including marginalised groups) and promote interest in both “old” (local) and “new” (e.g. refugees) tradition, heritage, culture, skills, and design. As such, crafts help preserve the local culture, but also mirror the cultural diversity of peoples in Europe and can be platforms for intercultural exchange.

However, positive effects are limited and quite vulnerable. To overcome this, activities should be continuous and explicitly established. They simply don’t occur spontaneously, as researchers Erasmus Universiteit in Rotterdam found in 2018. In other words, there has to be an agent that will facilitate inspiring craft programmes for marginalised groups, after which crafts show positive effects and harbour social inclusion and build “new”, mutual European cultural identity.

For this reason, partner’s gathered in CRAFT:IN as they will gain knowledge of new crafts they can then introduce to their marginalised groups and develop new craft educational programmes of higher quality and international appeal. This will enable partners to develop their human resources and network further, their staff members to raise their EU Key Competences (multilingualism, cultural expression, entrepreneurship), and (with time) help heal social divide between the locals and marginalised groups.
Each partner will host one independent Learning Teaching and Training (LTT) workshop where each host will, through methods of practical learning and non-formal education, share a craft they are masters of, and incite cultural exchange through practical experience and face-to-face participants’ interaction. Each workshop will end with an exhibition of products made at the workshop and/or public event where participants will promote inclusion, meet the locals, and discuss the role of crafts in developing inclusion at local level. In order to utilise newly gained knowledge and skills the most, partners will send two representatives to each workshop, to learn new skills and crafts. Upon their return, they will organise follow-up presentations (20 in total; 4 per partner) of the new skills and, where possible, start new inclusive programmes in the local community based on their new craft. To make their experiences tangible, partners will publish a Manual on various crafts we shared in effort to promote inclusion.

In the background, but equally important, partners will host three Transnational Project Meetings (TPM) where managers will monitor project’s implementation, evaluate its past activities, and plan the future ones; including online campaigns for promotion and dissemination, and coordinating production of informal outputs.

In total, 40 educational mobilises, 10-15 participants from marginalised groups, 3 project meetings, 1 online publication on inclusive crafts, 5 workshops and exhibitions/public discussions will be held. These activities will significantly increase partner organisations’ human resources, develop individual key competences, and promote crafts as means of inclusion and non-formal learning.
In the long term, partner organisations see this partnership as a “stepping stone” – the first of many that will follow and lead to a sustainable and open European platform for inclusive crafts and social entrepreneurship. Partners are committed to building this platform that will help preserve, develop and promote crafts for social inclusion.

Sponsors

2021_UPSET_CRAFT_IN_OFFICIAL LOGO NO BCKGRN (1)

strangely disjointed & idiosyncratic

Dara Condon was the recipient of the University of Atypical’s Graduate Award 2019 and we’re pleased to see this promising graduate’s exhibition realised. Dara’s inspiration derives from eclectic pools of thought drawing on scientific theories, sacred symbols and forms, mythology and the power of the natural world.

This is Dara’s first solo exhibition and he has created an environment that explores how the mind processes visual information on a conscious and subconscious level. This new body of work forms a constellation of art forms drawing from the artists life and his experience of the mind, memory and mental health.

Gilly Campbell, Head of Community Arts & Education, Arts Council of Northern Ireland, commented, “I’m delighted to see this exhibition from Dara Condon open at the University of Atypical.  This is Dara’s first solo exhibition, offering the artist that all important next step in his professional, artistic career.  After such a long period of galleries being closed due to restrictions, it’s heartening to see them re-open and enthusiastically welcome the public back to see art up close and personal.  There are so many terrific exhibitions going on in galleries across Northern Ireland and I would encourage everyone to go along and support your local gallery this summer.”

Booking required – limited numbers are permitted on site, please include your access requirements when booking your place.

Fittings & MisFittings

The DisOrdinary Architecture Project was established in 2008. Since then a network of disabled artists have collaborated with architecture, interiors and built environment students, educators, researchers, practitioners and other interested groups to co-create new and exciting ways to do disability differently in the design of built space.

Fittings and MisFittings is part of Accessing Architecture: Disability and Belfast’s Built Heritage by the University of Atypical is funded by National Lottery Heritage Fund Northern Ireland. The project researches the history of the disabled community in Belfast through the city’s built, industrial and cultural environments.
About DisOrdinary Architecture

The DisOrdinary Architecture Project starts from the experiences, expertise and creativity of disabled artists. We work through co-partnering and co-design to bring together artists and built environment specialists on an equal footing.

Our collaborations aim to generate creative and critical opportunities that open up innovative new provocations for thinking and doing disability (and ability) differently in architecture and the built environment. By learning lessons from what we do, we aim to become thought leaders in the field, and to influence attitudes and practices as well as the design of our built surroundings.

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